SEE IT ALL AS PRODUCTS OF PRAGMATICS

• SUBSCRIPTION
• ABONNEMENT
•  
• SLOB # 08
• James Hoff, “CRUMPLED, RUMPLED, CRAPPY, TACKY, RAUNCHY, UNCONSCIOUS, WHATEVER.” (2015)
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• SLOB # 07
• Matthew Stadler, COMPOSITION AS PUBLICATION – AND – WHAT ARE MARGINS (2015)
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• SLOB # 06
• Will Holder, THE LIBRARY OF HELEN CHADWICK (2015)
• Will Holder,LA BIBLIOTHÈQUE D’HELEN CHADWICK (2015)
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• SLOB # 05
• Jon Bywater, Louise Menzies, Marnie Slater, DIE TOILETTE (2014)
• Jon Bywater, Louise Menzies, Marnie Slater, DIE TOILETTE [VF] (2015)
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• SLOB # 04
• Avigail Moss, KINESICS OF THE PAGE (2013)
• Avigail Moss, KINÉSIQUE DE LA PAGE (2013)
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• SLOB # 03
• Louis Lüthi, INFANT A (2012)
• Louis Lüthi, L’ENFANÇON A (2013)
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• SLOB # 02
• Moyra Davey, THE WET AND THE DRY (2011)
• Moyra Davey, LE SEC ET LE MOITE (2011)
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• SLOB # 01
• Oscar Tuazon, MAKING BOOKS (2011)
• Oscar Tuazon, FAIRE DES LIVRES (2011)
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• SLOR # 03
• Staffan Boije af GennКs, THE RIFFS AND THE FOREST (2016)
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• SLOR # 02
• Felicia von Zweigbergk, Pieter Kock, Janine Armin, Ärkan Nordin, METAL IDEAS (2014)
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• SLOR # 01
• Paul Elliman, Tom Lax, Jon Bywater, EVERYBODY KNOWS THIS IS NOWHERE (2013)
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KINESICS OF THE PAGE

Avigail Moss

This installment written by LA-based artist and writer Avigail Moss, develops as a thorough analysis of one particular book: Marianne Wex’s outstanding photo-essay Let’s Take Back Our Space: “Female” and “Male” Body Language as a Result of Patriarchal Structures, from 1979. Moss proposes a contextual approach of the book, in relation to politics and feminism in post-war West Germany, as well as a minute study of its design and page structure, revealing the complexity and force of the volume.

Avigail Moss, Kinesics of the Page, 2013
Edited by castillo/corrales and Will Holder
Designed by Will Holder
English
Edition of 1000
16 pages 16,1 × 22,6 cm
ISBN: 978-2-918252-22-1 
black & white
5 €

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